Yorgos Lanthimos and Emma Stone: A Cinema of Transformation

de Georgiana Mușat / Editorial

Tilda Swinton in Seven Incarnations

de Georgiana Mușat / Editorial

Cate Blanchett: Anybody, anywhere, all at once | Panorama

de Georgiana Mușat / Editorial

Panorama | Hell as other parties. Babylon

de Georgiana Mușat / Editorial

El dorado at the edge of the world. Ennio Morricone | Panorama

de Georgiana Mușat / Editorial

The tent of Mad Hatters. Conspiracy theories in cinema | Panorama

de Georgiana Mușat / Editorial

4 shot-for-shot remakes and the phenomenon of self-cannibalization

de Georgiana Mușat / Editorial

The Heroine behind Japanese Pink Films or Keiko Sato in the World of Men | Panorama

de Georgiana Mușat / Editorial

Ulrike Ottinger in Camp-land | Panorama

de Georgiana Mușat / Editorial

Oscars So Indie | Panorama

de Georgiana Mușat / Editorial

Ashes and Diamonds. The cinema of Alice Guy-Blaché | Panorama

de Georgiana Mușat / Editorial

The Cinderella Syndrome. Discussing the “Before” trilogy

de Georgiana Mușat / Editorial

Il Cinema Ritrovato on Tour in Bucharest: Interview with Sophia Loren

de Călin Boto / Editorial

Footnotes: Frame by Frame | An interview with Ruxandra Blaga

de Călin Boto / Editorial

Footnotes: Delta Space Mission in 4k

de Călin Boto / Editorial

Footnotes: Bucharest, as seen from Bologna

de Călin Boto / Editorial

Thalassa, Thalassa: the lost winner of Rotterdam

de Călin Boto / Editorial

The Reenactment, over and over again (II)

de Călin Boto / Editorial

The Reenactment, over and over again (I)

de Călin Boto / Editorial

Note de subsol: Veronica la 50

de Călin Boto / Editorial

Footnotes: Hervé Guibert and Cyrill Collard’s second-to-last lived experiences

de Călin Boto / Editorial

Footnotes: D’Est – Ward No. 6

de Călin Boto / Editorial

Footnotes: Márta Mészáros in Bucharest

de Călin Boto / Editorial

Footnotes: Fare thee well, Cannes! The Rise and Fall of Ecaterina Oproiu

de Călin Boto / Editorial

Life is a Minefield: the cinema of Thomas Heise

de Flavia Dima / Editorial

The Graveyard of the Eye. Notes on Images of War, Surrounding “Civil War” | The State of Cinema

de Flavia Dima / Editorial

Auf Wiedersehen! A few thoughts on cinema, criticism, and politics surrounding this year’s Berlinale

de Flavia Dima and Dora Leu / Editorial

In the Year of Long Films: on Duration in the Digital World | The State of Cinema

de Flavia Dima / Editorial

A Specter Haunts the Cinema: Barbie, or the Nostalgia for Futures Past

de Flavia Dima / Editorial

Half-time: what does Romanian cinema look like, mid-year? | The State of Cinema 

de Flavia Dima / Editorial

Panică și antreprenoriat moral în discursurile românești despre cinema | The State of Cinema

de Flavia Dima / Editorial

How will the Cultural Workers’ Statute change the lives of Romanian film workers? | The State of Cinema

de Flavia Dima / Editorial

Jobs, capital, and sex in the New Romanian Popular Cinema | The State of Cinema

de Flavia Dima / Editorial

The Vloggers‘ Cinematic Universe – from 5GANG: Another Kind of Christmas to Teambuilding

de Cătălin Olaru / Editorial

The Confessions of a First-time Voter in the Sight and Sound Poll | The State of Cinema

de Flavia Dima / Editorial

Time’s up: on the recent protests of Romanian students and filmmakers | The State of Cinema

de Flavia Dima / Editorial